Roger Waters and Pink Floyd Unknown Location(s) The Final Cut - Working Demos Sometime in 1982 The Final Cutting A Prerequiem For The Post War Dream Free Range Pigs (FRP CDR-021) Speed-corrected lineage: original FRP shn's -> mkwACT -> WAV -> SoundForge 7.0 -> FLAC Frontend -> FLAC Disc One: original (speed-corrected) 1. The Post War Dream 2:04 (2:16) 2. Your Possible Pasts 4:29 (4:56) 3. One Of The Few 1:13 (1:20) 4. The Heroes Return (Part 1) 2:31 (2:46) 5. The Gunner's Dream 4:49 (5:18) 6. The Heroes Return (Part 2) 1:21 (1:29) 7. Paranoid Eyes 3:30 (3:40) 8. Get Your Filthy Hands Off My Desert 1:08 (1:15) 9. The Fletcher Memorial Home 4:01 (4:25) 10. Southampton Dock 1:35 (1:45) 11. The Final Cut 4:49 (5:17) 12. Not Now John 4:16 (4:42) 13. Two Suns In The Sunset 4:28 (4:55) 40:04 (44:12) /*comments on the speed-corrected version*/ Since the original ran a bit fast (as you can see, there's a good four minutes difference in the end), I had to change the sample rate to 40.1 kHz in SoundForge, then resample to 44.1 kHz. /* original comments*/ Notes: From a "millionth generation" cassette bought in Argentina some 17 years ago by our friend Alejandro. For some reason this recording has not been heavily circulated, and is shrouded in mystery. We have no legitimate doubts as to the authenticity of this recording. It appears to be from a working set of demo tapes that were used as the actual blueprint for The Final Cut -the last album that Pink Floyd would release with Roger Waters in the lineup. In some places the difference between this and the actual release are subtle, and in other places, the differences are quite stark, changing the overall tone of some of the meanings inferred from the actual release. We won't be listing all of the differences here, so you can enjoy your own personal exploration of this work in progress. Free Range Pigs is releasing this volume for its historical significance. While the sound quality is not "disappointing", the recording does "show it's age" in some places. We're not exactly sure, but it sounds as though this was recorded in a professional studio, so it is very likely that somewhere in this big world, a sonically superior copy exists. Credits: Jim Canale and Free Range Pigs would like to thank the following people for their contributions to this effort: Alejandro Gibaut for graciously providing the Source Recording. The Pentagon Pig for providing Quality Assurance Services. Aleksi Manninen for providing the Cover Art. (1-8)